Wednesday, September 29, 2010

PRINCIPLE OF DESIGN

As one who has had a lifelong interest in design, both academically and personally, there is, it seems to me, a certain undeniable obviousness to the idea that God, the Creator and Great Designer of reality, had an intentional design and function in mind when He created male and female and named them, collectively, Man. Male and female are designed and clearly intended to go together as a unit. Historically, marriage has been defined and understood by this self-evident design. It would take an impossible stretch to suggest otherwise. Male and male do not serve any sexually fruitful function in keeping with that design. Nor do female and female. This truth is self-evident even for anyone who rejects a religious point of view, and opts for a strictly "scientific" or "evolutionary" view. Everything about the design of male and female works with wholeness-producing integrity. That is not the case in male/male, female/female sexuality.



That is not to say that men and women cannot experience non-sexual, loving relationships with members of the same sex.. Human beings are designed by God for love in its biblical sense: the giving of self for the well-being and good of others, including the wholeness of the community and the entire human family, irrespective of their gender. There are many examples, some well known, some not, in which a deep, selfless love is generated in these relationships. A clear example is the love that binds together soldiers in battle, who often have laid down their lives for their friends.


Some suggest that certain people have an inherent, possibly genetic predisposition toward homosexual relationships. But this notion falls into the trap so common to much current thinking; namely, that all things are "normal," and what is normal is "right." Common sense hardly needs the Bible’s revelation to show us that the world is filled with dysfunctionality on every level. Yet so many are oblivious to, or even outright reject the notion of the fallenness of the world, into which the "Pandora’s Box" of selfishness and anti-love (what the Bible refers to as the power of sin and death[1]), was let loose. It affects not only human beings, but all creation. The fall brought more than sin. It also brought all sorts of aberrations; i.e., thalidomide babies, dicephalic twins, down syndrome children, hermaphroditism, automobile accidents, misunderstandings, war, just to name a few out of conceivably millions, all of which are deviations from God’s design and intention. It is certainly within the realm of possibility that individuals could be born with effects of fallenness (dysfunctionalities) that incline them to have a psycho-physical makeup disposed toward homosexual relationships, which they did not choose as an exercise of their will (though they do choose to express it).


It remains, however that this "genetic" or psycho-physical predisposition is a deviation from the design - an aberration - that which, in a world where everything worked as it was designed[2] to work, would not exist. God does not make mistakes. Mistakes happen because of the dysfunctions of fallenness.


When we see a person who is deformed because of Thalidomide, we do not condemn them (notwithstanding certain ignorant people with a cruel streak who do taunt and plague anyone who is "different"). Instead, most people normally feel a degree of sympathy and concern for those with such aberrations, and extend loving kindness and compassion toward them. Nor would it be appropriate to claim they are "normal," and supposed to be that way, thus denying them any sort of hope of a life consistent with God's[3] design[4]. Instead, society attempts to compassionately seek and provide resources to cope with dysfunctionalities and to help overcome them to the extent possibe. This may be offensive to some, but wishing it were different doesn’t negate the inherent human design and its implications.


. We may sympathize with men and women who are struggling with homosexual feelings and behaviors, and the confusion, guilt, and a host of attending problems - sympathize in the sense that they are dealing with dysfunctionality - an aberration that runs counter to the intention and design of God[5]. Every one of us deals with dysfunctionality in our lives in one way or another. But if we acknowledge God as God, we cannot simply gloss over what is contrary to an all too obvious design and plan. We are called to love fallen human beings as we love ourselves, because of the love that God has so freely given to us - even while we too, remain sinners in process of transformation. Love does not mean simply saying "Yes," to every desire human beings express. The Bible speaks of the hope and promise of an ultimate restoration of the original design, freed from bondage to the power of sin and death.


The bottom line, however, is that homosexuality and gay marriage are absurdities because they are expressions of an attempt to legitimize and make “normal” that which is inherently abnormal, and contrary to both nature and science. It flies in the face of what is real by rejecting the evidence of the exclusivity of male/female marriage (mating), which is what sexuality is, in its essence, all about.[6]





[1] While I use Christian terminology in a few places in this article, the meaning thereof in non-Christian terms comes out the same. It is informative to notice a small part of a large list of behaviors that define the “power of death,” that is, things which are opposed to love in the sense of giving of self for the good and well-being of others, and of the whole. Notice also that the opposite of death is not “life” but “love.” Here’s a sampling: Love is creative, death is destructive; love is selfless, death is selfish; love is interdependent, death is independent; love is healing, death is harming; love is wholeness producing, death is fracturing; love is cooperative, death is competitive (don’t think sports, think war – though it’s only a matter of degree; love is integrating, death is disintegrating; love is uniting, death is separating; love is in-gathering, death is alienating; love is self-sacrificial, death is self-preserving; love is other focused, death is self-centered; love is giving, death is taking; love is understanding, death is misunderstanding; … etc.
[2] Whether one means by God, or by natural evolutionary processes, there is still obvious design. The creation (universe) is not random.
[3] Or evolution’s natural design (but this leads to the point in footnote 4)
[4] From an evolutionary point of view an animal that wanted to mate with its own sex would seem, by definition, to fall into the category of those that were not among the “fittest” that were likely to survive.
[5] Or the natural survival force of evolution
[6] It is interesting to note that this article has been circulated in news media, and, especially to persons in government in my own state, neighboring states, and members of congress, and state governors, all of whom have significant influence on legislation on the subject of gay marriage, etc.. To date it appears that the position taken herein has been widely ignored. The absence of argument leads one to believe that the reason for the lack of negative feedback may be due to what I believe is an irrefutable case against the normalizing of the entire gay agenda.

Tuesday, September 14, 2010

MORE ON MUSIC AND ART: THE PATHOS OF OUR FALLENNESS

I was driving up to Manchester the other morning. I was listening to my local classical music station, as usual. The program was exploring Samuel Barber's "Adagio for Strings." You might recall that I referred to Barber, and some others in the earlier MUSIC AND ART posting. A gentleman named Thomas Larson, it appears, has recently written a book which, interestingly enough bears the title, "The Saddest Music Ever Written." Just hearing the title, sent something stirring my soul. Now, several days later, I'm reminded of something C.S. Lewis said: "We read in order to know we're not alone." It was a revelation. I had begun to wonder if I was the only one in the world in whom certain pieces of music have the ability to cause choking up, weeping, tears. That's the way it has happened to me. I'm not always sure what it is about the music that does it, but sometimes I have identified profound joy, or a soul gripping beauty, but also a heart penetrating pathos. I don't mean music with words for the most part, although there are some operatic arias that have a similar power, "La Boheme," comes to mind, and sometmes Pavaroti had that effect. Between his remarks about the depression that filled the life of Samuel Barber, and his constant melancholia, the interviewer played portions of "Adagio..." It is, for all of its "sadness," one of my favorite pieces, as, apparently it is for many. Interestingly, Larson says it has been the music of choice in the funerals of several major figures on the world stage, including a couple of American presidents. It has a profound, even awesome beauty that penetrates deep into (at least) my heart. As I often do with music I'm listening to, I started to hum along with the strings...but found I could not. Instantly, I choked up, and the tears began to fill my eyes, but in this case I could discern that the tears were a response to the "Adagio..." It has an amazing capacity to communicate the pathos, the "sadness" Larson speaks of. I spoke about this pathos in the earlier blog, and I realized, deep inside, that the music is, even if unrecognized by its composer (though Thomas Lawson seems to have realized it - consciously or unconsciously)- the music seems to express an agonizing lament, as if the music itself was communicating the utter despair of the world weeping for itself: "Rachel weeping for her children because they were no more," and the world (at least those in it who have ever heard the piece) knows it, because it reveals itself, not to the superficial level of hearing, but to the understanding depths of the heart. The piece reflects all the tears that are shed because of the darkness, and the terrible aloneness that so many of the living feel. Yet how many would listen to this cry of grief without hearing it? I recall the shortest verse in the Bible: "Jesus wept." What for? Certainly it was not because of Lazarus' death, for in a few seconds He was going to raise him from the dead. Rather, Jesus wept because of the very existence within the creation, and especially within mankind, of the power of sin and death that dominates every soul as it comes into the world: every life, every human thought, word and deed, a poison that spreads itself like a plague. It is because of this profound pathos that you and I have been called by God to be the salt (preservative), and light (bearer of truth that sets free) - because God's very purpose is to restore the image of God - the power of love, which is the antidote - the only antidote that can provide the healing balm that overcomes the awful aloneness that the power of death, in the hand of the enemy of our souls, seeks to spread abroad in God's creation; "The thief comes only to steal, to kill and to destroy, but I have come that they might have life, and have it more abundantly."


Some people don't like to talk about negative things, such as the pathos of the world and the power of sin and death. I'm inclined to think we don't talk about it, or even think about it enough. It should be obvious (but I'm afraid it isn't) that without the first six, and especially first four chapters of the Bible (the "bad news"), the entire rest of the Bible (the good news), would make no sense. Human fallenness would be regarded simply as the way things are, the normal state of this world. There would be no answer to why Jesus should come, live, die on the cross, be resurrected, and all the rest. It would be an "every man for himself" world. The world would be what "Adagio..." reflects in terms of the pain and suffering and isolation of humanity from itself, much less from God. Listen to Samuel Barber's "Adagio for Strings." Listen for the revelation of the human soul's condition.